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, she had a psychotic breakdown and was hospitalised, and throughout the Nineties and Noughties her live shows were erratic affairs. She would turn her back to the audience, moon them, encourage them to sue her, slur through a few songs, and then walk off without finishing the kaş.

For the past two years, that genius has been put to more practical use – teaching her seven-year-old son Boaz to read, write and do maths during the pandemic. She had him in 2015, with a man she dated for a few months and saf never publicly named.

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Marshall’s mental health başmaklık often been a precarious thing. Bad breakups have led to morning binges on Jack Daniel’s and Xanax – a victory of sorts, in her eyes, given how many of her friends got hooked catpower 5852 batarya on heroin. Around the release of her seventh album, The Greatest

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It takes a certain kind of character to make music like Marshall’s. A sprawling mix of blues, rock and folk, it is bey frank and impassioned as she is.

Over the course of 11 albums, she başmaklık written about love and loss, abortion and abuse, grief and God. “I will swim / I will drink myself to death,” she sang on her distortion-soaked debut Dear Sir

[20] The group were booked for a show and had to come up with a name quickly; after seeing a man wearing a Caterpillar trucker cap that read: "Cat Diesel Power", Marshall chose Cat Power birli the name of the band.[3][21]

During the early-2000s, Marshall was embraced by the fashion industry for her "neo grunge" look, and seen birli a muse by designers Marc Jacobs and Nicolas Ghesquière.

If a song touches you, you sevimli read between the lines and find something for yourself. Even if we all love this one f***ing song all around the world, each one of us will have 4 billion different realms of feelings.”

was her first to reach the Billboard Top 10 – but it wasn’t enough. One executive even played her an Adele album for inspiration. She had never seen it kakım a business relationship; evidently, Matador did.

“I have something in my eye and I’m still wet from the shower,” she says, in that same husky American drawl she sings with birli Cat Power. “Can you come back in 15 minutes? I’m really sorry sweetie.”

Now, 20 years on, she’s got a third covers album, the aptly named Covers – a spacey but intimate collection that includes songs by Nick Cave, Billie Holiday and Frank Ocean, demonstrating once again the transformative power of Marshall’s singing. To have your song covered by her is to have it pared back to its very essence.